we are ready to invade ! invade records first release will be by owner ilario liburni (klimaks, snatch!) with the forest ep. including 2 remixes by marcman (drumma, bass culture, paragram).

part 2 of the ep kicks off with *domino* a track thats bassline drones underneath its own distinctive synth line to keep the drums rolling along steadily. the title track *black leather* is everything you would expect in a drumcode record, a subtle throbbing bass line which, keeps the track moving before the synth stabs enrapture the track and twist it into a dark, throbbing composition

croatias miss sunshine brings you some seriously pounding, no-nonsense techno action. backyard is a freight train of bass and beat, no less. inter gritty is on remix duty and recalibrates it to hypnotic, bass-heavy monotony. on the flipside, wake up call takes it deeper with lush pads piling up on a powerful beat.

hanne & lore are finally home again with a groovy pounding ep. the needle touches the a-side and immediately releases the first euphoric and crackling sounds of supergirl. a true tech house firework, which ignites itself without having hanne & lore lose themselves in too many bells and whistles. the supergirl leaves the stage and makes room for a bass line that is looking for its partner. man oh man, you say to yourself, while tapping to the music. completely lost in thought, you get thrown back into the electronic life by cascandys synth-shots packed amazing rework. monaberry sees its 19th offspring come to life and it is just as strong as her brothers and sisters

*** only 1 copy per customer!!***
fresh from inaugurating his new wildheart imprint with a killer collaboration with tony allen, cult motor city producer theo parrish (sound signature / 3 chairs) maintains the languorous, dreamy vibe of malas original but opens out the groove, allowing the south londoners warm sub-bass to flex its muscle. the bass weight is tempered by deep, mantric keys, the soft choral vocals of sexto sentido, and dreisers spiritual incantations

dfa is proud to announce a new split single featuring both the juan maclean and shit robot. the single highlights the warped and wonky piano house both acts have become famous for. the juan maclean track features long time vocalist nancy whang (also of lcd soundsystem), who helps deliver yet another wildly catchy dance floor anthem, in line with prior collaborative successes “happy house” and “you are my destiny.” shit robot brings in famed stand up comedian (and closet soul vocalist) reggie watts whose incredible voice glides from falsetto to baritone in a single verse. the combination of the deep bass lines, wild voice and piano stabs weaving in and out make this one of the strongest and unique singles in the shit robot catalog. both shit robot & the juan maclean have full length albums due in 2014 on dfa records. limited to 500 stamped and numbered copies, includes digital download code.

tom withers aka klute is unlike any other drum & bass producer in the scene today. from his entry into the music business fronting the late 80s punk band the stupids and his early jungle releases on legendary label certificate 18, klute has always set himself apart from the pack never afraid to do things that little bit differently. 15 years in and his story continues as he prepares to unleash a staggering seventh studio album, *the draft*, another accomplished piece of musical ambition from a producer who never fails to disappoint.
comes as red coloured double 12 inch vinyl.

following the very recent success of the fokuz group ep on penny royal, label boss paul mac teams up once again with kryptic minds to provide some more bass heavy club techno. fellow osiris artist killawatt providing a heavy alternative mix also. early dj support on this one from dave clarke, ben sims , james ruskin & oscar mulero.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

r&s keep things in the family with mpia3s brother tessela dropping his debut ep for the label. since 2011, ed russell has been moulding a style of dance music as tessela that has evolved to become a distinctly futuristic animal that is equal parts rave, jungle and techno as it incorporates classic breaks into delirious new mutations. the three tracks on this ep all follow on from his superb *hackney parrot* track but evolve his sound even further. nancys pantry combines bruising kick drums and some slick editing of the think break, before plunging headlong into thundering techno. horizons percolating hi hats and rough-hewn percussion roll off repeating chords that recall the heady days of rave. gateways uncomplicated arrangement of high hats, sub bass, siren like synths and quaking kick drums rattle through the tracks chassis and club soundsystems. early supporters to the tracks include ben ufo, pariah, surgeon, pearson sound and paul woolford, testement to what might be tesselas most lethal offering yet.

samuel l session back on his own imprint. 4 bass driven techno monster. slow build ups, sublte grooves and modulations makes this ep a winner. shrinked!

welcome to enrique casals first solo ep on aula magna. through four bass-heavy cuts we are submerged into his spaced out dub-injected experimental techno world. each track unfolds itself through carefully designed beats and sounds programmed into four concrete ideas. dance-floor burner elenin is an energetic highlight from qiks latest live sets, and it kicks off a trek that concludes with the noise and glitch madness of arenos. in the middle, dekonst dives into the darker depths of the artists dub visions and cyclo combines stormy dub chords with a healthy dose of funkier breakbeats. more and more hidden layers of sound are discovered through each new listen. an unmissable experience.

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

with fans like amon tobin, skrillex and noisia (whove signed them to their division recordings label), youd expect neosignal to offer something different - and the german duo (aka drum & bass heroes phace & misanthrop) certainly dont disappoint. their debut album raum und zeit including the single planet online is out now! their influences range from can to kraftwerk and joy division to led zeppelin, and, while their music has elements of early krautrock, industrial and 80s ebm (electronic body music), its powered by 21st century, bass-driven production.

the manic brothers ep begins with praying mantis , a deep techno offering using a swelling bass line that rumbles under the track whilst the distinctive synth phrase shifts the groove of the track. life after life is a more euphoric and delicate take on techno and uses subtle percussion and melodies to create an ethereal felt track.

a firm favourite at guy gerbers supplement facts label parties, tini delivers her first ep for the imprint with two solid cuts of deep, twisted, rolling tech. knowing exactly what works in the club tini features the vocals of joe le groove for the first track hat baxx, which adds a whole new dimension to the dancefloor experience, swirling above the stripped back raw bass, powering through with fierce energy while holding plenty of groove. over on the flip turn around drives with intricate percussion while vocals from charlotte c.a send you on a journey into a hypnotic state. both tracks are essential dj weapons for a peak time affair, guaranteed to keep the crowd pumping.

after being released digitally only and really great support throughout all floors, tengue rec. decided to bring this disco-influenced bass driven house floor tool to all vinyl lovers and djs as well. so decide it yourself, pick it up and try it out!

limited reissue of this ultra-rare gem from 1978 originally released on tiny nyc private press label wabine productions. both tracks on the 12 inch are absolute killers and hugely in-demand with djs and collectors alike. although *sail on* is the acknowledged biggie, a highly sought-after jazzy soul classic melding super-cool low-slung grinding island funk with understated steel pans and a dreamy female chorus, dont overlook side as wonderful *the martians visit* - a tight slab of sun-drenched space-disco with a solid up-tempo caribbean groove, great strings and squelching bass.

hello?repeat 022 brings flash and anavi. both tracks in essence bring a linear and continuous flow, to many, a daze maxim signature in the sense that each element does not scream for attention alone, it is the combination of them which creates the overall impact. a dose of what we need when we need it. it is to do with structure, it is about the way in which elements are thrown in adding that bit of surprise effect which is able to stunt and amuse us all in a very good way. flash starts with a solid bass line, the vocal flash, a hypnotic cosmic/trippy element and a hoovering noise on the background making up the intro. the locomotive sounding high-hats then slam in, which together with the bass line complete a dance floor bliss of a track with all that groove.

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

bristolian dream team, waifs & strays vs. lukas meets chicago legend, dj sneak sums up the next jackathon jams package from queen of the scene, heidi. loaded with bleeps, bumps and bass, aside >gimme love< is driven by its disco chugging bassline and low slung groove, while the >stokes croft dub< version gives the track a warped, stoned haze. second original dance me (dance you) combines heavy low end with more 90s female vox swagger and dj sneak delivers his unmistakable funked up chicago style in a rendition of gimme luv with strains of boogie.

the >baumgartner< release marks the third solo ep by van bonn after his >maserung/schwerpunkt< and >onwards< on telrae in 2012. so it was high time for another solo release with him. his new track is again a timeless classic, gracefully flowing without much of an interruption, it is his most melodic release up until now. the track is nevertheless very much detached in style from what van bonn has released solo and together with stefan gubatz on telrae. the track is at ease and at the same time connects to a feeling of melancholy. marko fürstenberg wrote the remix on the flip side transforming the original into a tight and bass heavy dub track. marko breaks with the flow of the original and creates a much more rigorous dance flloor rocker that introduces one element after the other. this is not for the weak and for bass lovers only!

ovatow drops 3 extremely deep journeys into the fog of endless re-verb and delay applications.flame and a thought are 2 electro-techno tracks that are both build on randomly step-sequenced square bass lines, raiser sharp snares and dubbed out melodies drowned in layers of breathing dusty tape delays. visitation dub iii is a different version of an ovatow track, earlier released as part of the viewpoints chapter one compilation, but this time stripped down to the core bass line, reminiscing bcs presence. the release is dedicated to the loss of south rotterdam based dj juvenile jay who played an important roll in the early dj career of frustrated funks head honcho klen, the man behind the ovatow moniker. very much recommended!

josia played his colourful,excessive sound all over berlin at well-known venues as sisyphos or weekend, but also in numerous german cities and in neighbour countries like poland, luxembourg, lithuania or austria. as producer and remixer josia combines dirty electro bass lines with deep psychedelic soundscapes and effects on a base of minimal techno beats

first release for the newcomer athens based recording label lower parts. tendts first ep slow years is a musical journey. a journey full of disbelief, experimentation and questions. nostalgic in the beginning, with slow chopped up beats, samples that play their part right by creating an atmosphere and suppressed bass that lie hidden in the back. as we come one step closer to reach the end of our journey the landscape starts to transform. the sound becomes a bit more static with intense need for self-criticism. melodies start moving spasmodically full of errors in a faulty random route. stacked on top of each other, they are trying obsessively to keep up with the flow until they reach climax, if they will ever do. 200 pieces cut / hand stamped labels in a printed recycled fine carton. artwork by tendts

featuring new material and recorded in the bands isolated studio on the edge of the essex marshes, the album ebbs and flows in mood like the nearby blackwater estuary. working with a palette of vintage drum machines, analogue synths, textural samples, acoustic recordings, electric bass & heavily treated guitar, the songs were born out of captured live studio performances.

ein neues ohrbooten-album steht in den startlöchern. alles für alle bis alles alle ist heißt es. was für ein motto! da wird aus den vollen geschöpft. die ohrbooten haben die erfahrungen und eindrücke der letzten bewegenden jahre fein säuberlich gesammelt und das gemacht, was sie am besten können: sie haben sie zu liedern verarbeitet. nach dem motto, keine wiederholung - was neues wird gemacht, haben sie schon immer gehandelt. und es ist erneut ein außerordentliches vergnügen, so eine volle ladung ohrbootenmusik zu tanken!

boska ist das beste beispiel dafuer, dass norweger eben nicht nur disco oder krautrock koennen. boska steht für house-musik, die an elektro, b boy-breaks und uk bass geschult ist. inzwischen ist der produzent aus tromso nach berlin umgezogen. nach veröffentlichungen für love od communications und studio barnhus folgt auf permanent vacation nun 3track-ep mit bassiger house-musik, die ganz gemütlich zwischen den genres sitzt.

wir feiern die fulminante rückkehr von hip house. für eine solche standen die zeichen schon seit einiger zeit sehr gut. denn jener mitreissende sound, der ende der achtziger house und hip-hop verbrüdert hat, setzt schließlich immer noch die tanzflächen in brand und sorgt dort für herrlich unkontrollierbare schübe von euphorie. für >work it out<, die erste single ihres neuen albums >behind the masks , haben sich snuff crew mit einem der pioniere und bekanntesten vertreter des genres zusammengetan: tyree cooper. der ist nicht erst seit seinem großen hit >turn up the bass< weltweit erfolgreich. bei >work it out< zeigt er sich nun wieder in bestform. markige raps, heftige grooves, schrille sirenen und wilde scratches sind die explosiven zutaten dieses stücks. und auch der zweite track auf der single wartet mit einem hochkarätigen gast auf. immerhin verleiht die bulgarische sängerin rachel row >new life< mit ihrer umwerfenden stimme pures house feeling mit gänsehautgarantie. passend dazu dringen piano und strings tief ins herz hinein

die faszination für guitar wolf macht seit jeher auch an den grenzen japans nicht halt, und so haben sich guitar wolf durch ausgedehnte tourneen im ausland einen status erspielt, der in dieser form bisher noch keiner anderen japanischen band zu teil wurde. neben unzähligen alben, von denen die ersten in frontmann seijis wohnzimmer aufgenommen wurden, bis hin zu dem eigens produzierten splatter b-movie wild zero, sprengen guitar wolf alle grenzen und manifestieren ihren kultstatus mit jeder veröffentlichung. nach spacebattleshiplove erscheint nun auch das brandneue album beast vibrator in europa. beast vibrator liefert, wonach das rock n roll herz sich verzehrt: noisige gitarren treffen auf ein krachendes schlagzeug, rotzige vocals auf einen bis zur unkenntlichkeit verzehrten bass! und dazwischen wissen guitar wolf durch jede menge spirit die guten alten tage des rock n roll heraufzubeschwören!

guerrilla soul is amir alexanders deeper alter ego. his first official release under that moniker is a tribute to elizabeth short, the black dahlia. she was a victim of los angeless most notorious unsolved murder back in the late 40s. deep, dark, moody, and emotive vibrations evoke a feeling of wistful melancholy. amir comes with 2 different perspectives of the same theme one on each side of the record. rhythmically moving with lush pads and a minimalistic, yet succinct bass line. deep and super deep are the flavours du jour

another big one form the moods & grooves files. the detroit label digs up the massive peak time bass driven house track by g flame & mr g track..

roskas shocking ep is the latest release from the long-running rinse producer and his firstfor the label since last years rinse presents: roska2 lp. it finds the uk innovator on his usual fiery form, drawing for his characteristic deftly swung percussion and grime-infused sub-bass pressure. the explosive title track is the most overtly grimey roskas sounded for some time, slow-building intro giving way to a pulsating bassline and caustic laser blasts.

in 2011 when mad mats and tooli went to sonar festival in barcelona they met ludovic llorca aka art of tones outside a club. little did they know back then that two years later on they would release a 12 inch together. the same thing ep opens with the title track and kicks pretty damn sweet with its strong vocal, the guitar, bass and rhodes jamming on top of a tight groove, there is also a dub version included on the b-side. last but not least, the great sgatmi is a jazzy and bumpy house take with lots of samples perfectly balanced. all in all, classic art of tones material and the work of a producer firing on all cylinders.

our fourth release comes from ogris debris, part of the affine family (home of dorian concept and cid rim) and an internationally acclaimed producer duo from vienna. combining cutting-edge digital production with finest ingredients of techno and house, ogris debris create a unique brand of dance music that is widely acknowledged as innovative by the global scene.
for this release, ogris debris deliver a uk-bass influenced, chord-driven primetime house stomper, somewhat different to their previous releases. on the b-side, hyperdubs grime and funky don scratcha dva eases the rhythm with his rolling bassline sound for a weighty dj tool track, while the clonious diverts the energy with his soulfull keyboard skills and swinging drums into an infectious late-summer future funk affair.

after the recent success of their expansive debut full length on idle hands and while they bask in the glory of their recently well received resident advisor podcast, jacob hodge and matt lambert push on with a new ep on bristols futureboogie. to date outboxx have fomented their own ebullient house style that is imbued with a keen sense of uplifting melody, plenty of analogue dust and some heavyweight bass, largely on bristol based labels, and this new ep sees them continue in that fine form.

follow up zu mieuxs neufant ep (released im juni 2013) mit neuinterpretationen von we sink (athen), sekuoia (kopenhagen), kelpe (london) und hade (köln). mit extrem clubtauglichen, von uk-garage und bass beeinflussten uptempo-remixen von we sink (symbols / upmyalley) und hade (mpm) auf der einen seite und rockenden mid/downtempo remixen von kelpe (drut / svetlana industries) und sekuoia (upmyalley / pmc) auf der anderen, macht das kölner label wieder einmal deutlich, warum das attribut *forward-thinking* immer wieder fällt, sobald von upmyalley gesprochen wird. weit vorne. wer disclosure, shlohmo oder ähnliches mag, sollte hier reinhören!

exposed within the interior of these tracks are a variety of intrusive and extrusive igneous structures. they include the extensive hydrothermal alteration of rhyolites and gabbros and a central megabreccia created by hydrothermal dissolution and collapse. the siliceous megabreccia is at least 40m thick in its center - to only a few meters thick along its edges. the breccia consists of fragments of white to dark gray cherty material, quartz-rich bass, diagenetic clap nodules, and stromatolitic snares. it is intensively silicified.

3 tracks to keep things moving during the fall months: *cause* is a bass heavy gem. *effect* is adames interpretation of chicago jack tracks. *repercussion* is a dark almost sterile track leaning heavily on the techno side.

major people is a new label from santiago salazar. the debut track *new beginnings* is more of a theme song for salazar as he introduces the major people label. modulating synthes can be heard throughout the track and the catchy bassline will warm any dance floor.
*technik* is a slice of sleek, contemplative techno that is far out on a late-night tip, leaving only a bouncing bassline and skipping tech-house beat to hold down the groove amongst the tune’s more ethereal sounds. on the remix, chicagos defend:r (ricardo mirandas alter-ego) takes apart the original to form a hybrid electro style remix laced with sub bass grooves and just the right amount of synths to take it to the next level.
this is the beginning of much more to come from major people.

sun glitters sound is an ocean of lush melodies, pitch-shifted vocal samples, ghostly digi-diva choirs, warm bass melodies driven by alternately dense and relaxing beatwork combinations.

it is the collaboration we have all been waiting for! the careers of both catz n dogz and eats everything have been intrinsically linked since the polish duo debuted the incredible mr edible via his agenda-setting *entrance song* on pets in 2011. their relationship was compounded by dirtybird dynamics, both acts sitting on the fringes of house and techno, neither side shy of the rich taste of bass, the work of both eats everything and catz n dogz has always sat side-by-side… but never together. until now.
two instantly distinctive, unmissable originals. one killer remix. they say it is a dog eat dog world. well not anymore… welcome to the crazy world of catz eats dogz.

vitalik recordings welcomes sam russo to the ranks with the rather fantastic vanishing test ep. sams production skills defy his years, his style defined and his sound signature. his trained ears have been sought after by the likes of craig richards, matt tolfrey and huxley in recent studio collaborations. his music is non-categorical genre speaking however his influences permeate his music, dub and bass play key roles, darkness and light coexist in a dynamic juxtaposition, bright expansive pads soar over rumbling kicks and moody bass lines.

gianclaudio hashem moniri & giuseppe carlini formed the group plaster in rome italy in 2008 and has released eps, albums & been on compilations with their sharp edged sounds, deep beats with some funky syncopations since 2010 on labels such as kvitnu, crazy language, stroboscopic artefacts & touchin bass

on uncanny valley s catalogue number 18 we finally welcome back credit 00 who is a man in charge of a decent collection of those dusty machines we all love. after the ice cold the living room life ep from 2012, his brand new record ice cream is easy to fall in love with. packed with tunes to suit various moods in life, it will be a faithful companion in dark basements or lonesome hours. ice cream starts deliciously with its sleazy sample choice. with the distinctive drum work it builds up to a true chicago-inspired dance floor banger. round n round hits hard with a harsh kick and cowbell action before it shows off slightly melancholic lead synths and a subtle but effective bass line and puts the emphasis on the fact that things go round and round. life s a dizzy affair. east of nowhere with that bass line-sound is credit 00 to the core. and with spooky synths he puts you to an east of nowhere-place where you will lose yourself in manic trance-like dancing. the record ends with red wine , a slightly different electronic love song sung by credit 00. the cover artwork was created by alexander dorn.

the swedish berlin based joel alters been busy the last few years making deep well produced dub inspired techno and house for labels kontra-musik and d julz bass culture

real house master phil weeks makes his debut on guy gerbers supplement facts imprint with a trio of dancefloor bombs packed with his signature bump, funk and bass. title track sharks looking for fishes is a fuzzy, warm affair with warping pads and shimmering cow-bells building with dusty samples combined with a jacking bassline. on the b-side bees assault is pure heads down techy business, unhinged and driving its the peak time banger of the release and an assault on the senses. lastly, hold onto the memories brings back the french deep touch with another solid jacking groove and faded vox.

die ostfunk 39 präsentiert mit dem house shooting star rob makzem einen knaller mit 4 deepen vocal house tracks, wie man sie von der machart auch schon in den frühen 90ern im planet oder e-werk gehört haben könnte, nur dass diese tracks brandneu und superfresh daherkommen.

welcome vinyl reissue for this ultra-rare slice of warm and dreamy down-tempo disco heaven from one-hit wonders byron. originally released in 1985 on tiny italian label golden sound, *too much* is highly sought after today in balearic circles for its gorgeous sun-drenched atmosphere and the understated chugging funky combination of hypnotic bass, other-worldly vocals and heady chiming synths. a must for any discerning balearic record bag, grab a copy while you can.